The Incredibles 2 Download
- The Incredibles 2 Download 4k
- Download Film Incredibles 2 2018
- The Incredibles 2 Download Hindi Dubbed
Incredibles 2 | |
---|---|
Directed by | Brad Bird |
Produced by | |
Written by | Brad Bird |
Starring |
|
Music by | Michael Giacchino |
Cinematography | |
Edited by | Stephen Schaffer |
Production companies | |
Distributed by | Walt Disney Studios Motion Pictures |
Release date |
|
118 minutes[1] | |
Country | United States |
Language | English |
Budget | $200 million[2][3] |
Box office | $1.243 billion[1] |
Incredibles 2 is a 2018 American computer-animatedsuperhero film produced by Pixar Animation Studios and released by Walt Disney Pictures. Written and directed by Brad Bird, it is the sequel to The Incredibles (2004) and the second full-length installment of the franchise. The story follows the Parr family as they try to restore the public's trust in superheroes while balancing their family life, only to combat a new foe who seeks to turn the populace against all superheroes. Craig T. Nelson, Holly Hunter, Sarah Vowell and Samuel L. Jackson reprise their roles from the first film; newcomers to the cast include Huckleberry Milner, Bob Odenkirk, Catherine Keener and Jonathan Banks. Michael Giacchino returned to compose the score.
Following the success of The Incredibles, Bird postponed development on a sequel to work on other films. He attempted to distinguish the script from superhero films and superhero television series released since the first film, focusing on the family dynamic rather than the superhero genre. Incorrect parameter count difference between dates as a date.
Incredibles 2 Full Movie: After releasing the new poster yesterday, Disney released a new trailer for the Incredibles 2 Full Movie Online. The film says a little more, but not much more, about the plot of this much-awaited sequel (at the turn.). Watch Incredibles 2 full movie download with high-quality print in HD, MP4, 3GP, AVI, HDrip, DVDrip, DVDscr, Bluray 720p, 1080p as your required formats without any registration. It is an animation superhero American movie.
Incredibles 2 premiered in Los Angeles on June 5, 2018, and was theatrically released in the United States on June 15, 2018 in Disney Digital 3-D, Dolby Cinema, IMAX and IMAX 3D formats. The film received largely positive reviews and praise for its animation, humor and musical score. The film made $182.7 million in its opening weekend, setting the record for best debut for an animated film, and has grossed over $1.2 billion worldwide, making it the fourth highest-grossing film of 2018, the second highest-grossing animated film and the 16th highest-grossing film of all-time, along with being the third Pixar film to gross 1 billion dollars after Finding Dory and Toy Story 3. Incredibles 2 was named by the National Board of Review as the Best Animated Film of 2018. The film was nominated for Best Animated Feature Film at the 76th Golden Globe Awards and 91st Academy Awards, losing both to Spider-Man: Into the Spider-Verse.
- 3Production
- 5Release
- 6Reception
- 6.1Box office
Download Incredibles 2 (2018) (Hindi-English) 480p–720p–1080p Movie Dual Audio Files in drive link dubbed movie and good watchable print with good audio you can easily Download.
Plot[edit]
Following the events of the first film, the Incredibles and Frozone battle the Underminer, who has just appeared to terrorize Municiberg. Though they prevent the destruction of City Hall, they are unable to stop him from robbing a bank and escaping. The collateral damage caused by the incident outrages the government and prompts them to shut down the Superhero Relocation Program, leaving the Parrs without financial assistance. Violet's love interest Tony Rydinger also discovers her superhero identity, forcing agent Rick Dicker to erase his memory of her. Frozone informs Mr. Incredible and Elastigirl of an offer from Winston Deavor, a wealthy businessman. He and his sister Evelyn propose sending the heroes on secret missions which will be recorded and publicized to regain public trust in superheroes.
Due to Mr. Incredible's tendency to accidentally cause collateral damage, Winston chooses Elastigirl for the initial missions. While Elastigirl is away, Bob struggles with his new role as a stay-at-home parent: Dash has trouble with math homework, Violet becomes withdrawn after Tony fails to show up for their first date due to his memory wipe, and Jack-Jack wreaks havoc with his burgeoning superpowers. He takes Jack-Jack to Edna Mode, who develops a suit that helps control his abilities. Meanwhile, on her missions, Elastigirl encounters a mysterious supervillain called the Screenslaver, who projects hypnotic images via TV screens. She tracks him down to his hideout in an apartment building, and unmasks him as a pizza deliveryman who claims to have no recollection of his actions.
At a party celebrating the Screenslaver's arrest, Winston announces a summit of world leaders to legalize superheroes, hosted aboard his luxury hydrofoil yacht, the Everjust. Unsettled by the ease with which she captured the Screenslaver, Elastigirl realizes that he was being controlled by a pair of mind-control goggles. Evelyn forces the goggles onto Elastigirl, revealing herself to be the mastermind behind the Screenslaver. Evelyn explains that she has hated superheroes since Gazerbeam and Fironic failed to save her father's murder by burglars. The event led her to conclude that superheroes have taken independence from society, who in turn had become dangerously over-reliant on superheroes. She plans to sabotage her brother's summit and cause a catastrophe that will tarnish the reputation of superheroes, ensuring they remain outlawed forever. Using Elastigirl, she lures Bob into a trap, then sends another group of hypnotized superheroes previously invited to the summit to subdue the Parr children. Frozone tries to protect them, but is overwhelmed and placed under Evelyn's control.
Violet, Dash, and Jack-Jack escape with the help of the Incredibile, a high-tech car once owned by Mr. Incredible, and reach Winston's hydrofoil yacht. On board, the hypnotized Mr. Incredible, Elastigirl, and Frozone recite a vindictive manifesto on air designed to paint superheroes as a threat. They subdue the ship's crew, aim the hydrofoil at Municiberg, and destroy the controls. The Parr children reach them, and Jack-Jack removes Elastigirl’s goggles. She in turn frees Mr. Incredible and Frozone. The Incredibles and Frozone release the other mind-controlled superheroes by destroying their goggles, then work together to prevent the Everjust from crashing into the city by turning the ship. Evelyn attempts to escape in a jet, but is apprehended by Elastigirl and arrested. Due to their actions, superheroes around the world regain legal status.
Later, Tony accompanies Violet to a movie with the family. When the Parrs spot a high-speed pursuit of gunmen by the police, Violet leaves Tony at the theater, and the Incredibles give chase in a remodeled Incredibile.
Voice cast[edit]
- Craig T. Nelson as Bob Parr / Mr. Incredible, the father of the family who possesses super strength and limited invulnerability.[4]
- Holly Hunter as Helen Parr / Elastigirl, the mother of the family who has the ability to stretch her body into many shapes and forms.[5]
- Sarah Vowell as Violet Parr, the family's daughter and first child, who can become invisible and project force fields for limited lengths of time.[4]
- Huckleberry Milner as Dashiell 'Dash' Parr, the family's troublemaker first son, who has superhuman speed. He was previously voiced by Spencer Fox in the first film.[4]
- Eli Fucile as Jack-Jack Parr, the infant son of Bob and Helen who has a large assortment of powers.
- Nick Bird provides the vocal effects of Jack-Jack's monster form.
- Samuel L. Jackson as Lucius Best / Frozone, Bob's best friend, who has the ability to form ice from humidity.[6]
- Bob Odenkirk as Winston Deavor, a superhero fan who leads a telecommunications company with his sister Evelyn, and wants to bring back superheroes by revamping the public's perception of them.[7][8][9]
- Catherine Keener as Evelyn Deavor, Winston's younger sister, a technological genius who has never encountered a problem she could not solve. She is later revealed to be 'Screenslaver'.[7][8][9]
- Bill Wise as a pizza delivery man hypnotized to pose as the 'Screenslaver', a villain who hijacks screens and uses them to hypnotize people.[10][11]
- Brad Bird as Edna 'E' Mode, a fashion designer for superheroes and a close friend of the Parrs.[4]
- Jonathan Banks as Rick Dicker, a government agent responsible for helping the Parrs stay undercover and unremarkable. When his department is shut down, the Parrs are left to their own devices. He was previously voiced by Bud Luckey in the first film; Luckey died in 2018, and the film is dedicated to his memory.[8][9]
- Michael Bird as Tony Rydinger, Violet's love interest.[11]
- Sophia Bush as Karen / Voyd, an aspiring superhero with the power to create portals.[8][9]
- Phil LaMarr as:
- Krushauer, an aspiring superhero with the power to telekinetically crush objects.[12]
- He-Lectrix, an aspiring superhero with the power to control electricity.[12]
- Paul Eiding as Gus Burns / Reflux, an elderly aspiring superhero who can vomit hot lava.[12]
- Isabella Rossellini as Ambassador, a foreign official committed to the support and legalization of superheroes.[8][13]
- John Ratzenberger as The Underminer, a mole-like supervillain who seeks to bring war and destruction to the world.[12]
- Barry Bostwick as Mayor
- Jere Burns as Detective No. 1
- Adam Rodriguez as Detective No. 2
- Kimberly Adair Clark as Honey Best, Frozone's wife.[11]
- Usher as Lucius Best's valet[14]
The Incredibles 2 Download 4k
Production[edit]
Development[edit]
Following The Incredibles, Brad Bird directed his next film for Pixar, Ratatouille, which was released in June 2007. Near its premiere, Bird said he was open to an idea of a sequel to The Incredibles, but only if it could be better than the original. He stated, 'I have pieces that I think are good, but I don't have them all together.'[15] In a May 2013 interview, Bird reiterated his interest in a sequel: 'I have been thinking about it. People think that I have not been, but I have—because I love those characters, and love that world .. I have many, many elements that I think would work really well in another Incredibles film, and if I can get 'em to click all together, I would probably wanna do that.'[16] While publicizing the first film, Bird had already conceptualized the eventual approach where Bob and Helen would switch roles, and Jack-Jack would develop multiple powers unknown to the family.[17]
At the Disney shareholder meeting in March 2014, Disney CEO and chairman Bob Iger confirmed that Pixar was working on an Incredibles sequel, and that Bird would return as writer.[18] Bird started the script around April 2015,[19] and said that the Incredibles sequel would be his next film after Tomorrowland.[20]
Writing[edit]
One challenge in writing Incredibles 2 was how to deal with the large number of superhero films and television series that had been released since the first film, such as the Marvel Cinematic Universe.[21] To try to differentiate the sequel, Bird wanted to avoid tropes related to the superhero genre: 'I don't think that kind of idea stays interesting for very long. For me, the interesting thing was never the superhero part of it. It was more the family dynamic, and how do superhero things play into that.'[22] He said he wanted to include some unused ideas from the first film,[23][24] and that the new story would focus on Helen Parr / Elastigirl.[25]
Though the sequel was released fourteen years after the first, Bird did not want to use a narrative element like a timeskip or to come up with new characters, and instead continued from where the first film left off. This allowed him to keep characters with the same superpowers and not have to develop new ones, nor did he need to figure out how to deal with Violet and Dash being adults. This also allowed him to keep Jack-Jack as an infant with an array of powers, which Bird likened to how infants are able to understand numerous languages.[26] While the plot of the 2005 follow-up video game to The Incredibles, The Incredibles: Rise of the Underminer, begins at that same point of time,[27] the film discards the game's continuity. The film was produced with a production budget of $200 million.[2][3]
One advantage that Pixar had with Incredibles 2 was the advancement of technology the company had seen since the original film and a team of much more experienced animators. Producer John Walker said, 'I think that one of the things that excited Brad and Ralph Eggleston, the production designer, was the fact that the technology existed now to finally realize the designs in the way that they had hoped to realize them in 2004. There were no notions of, 'Well, we don't know how to do long hair, we don't know how to do humans, we don't know how to do muscles.' Everybody knows how to do it. It's just now about doing it quickly.'[28] Because Pixar no longer used the same systems from the first movie, all the characters had to be created from scratch on the computer again. The studio also used physically-based human eye models for the characters for the first time, even if the eyes are larger and more stylized than in real humans.[29]
Casting[edit]
Pixar announced in November 2016 that both Holly Hunter and Samuel L. Jackson would return to reprise their roles,[5][6] and at the July 2017 D23 Expo that both Craig T. Nelson and Sarah Vowell would also return with them. Spencer Fox, the original voice of Dashiell 'Dash' Parr, was replaced in the sequel by younger newcomer Huckleberry Milner.[4] Also that July, Bird and John Ratzenberger were confirmed as reprising their characters from the first film.[25][7]
In November 2017, Pixar announced that Bob Odenkirk and Catherine Keener had been signed to the cast.[7] In January 2018, it was announced that Sophia Bush and Isabella Rossellini would voice new characters Voyd and The Ambassador, while Jonathan Banks would voice Rick Dicker after the character's original voice actor Bud Luckey retired in 2014;[8][9] after his death in 2018, the film was dedicated to Luckey's memory.[30]
Soundtrack[edit]
In 2015, Bird confirmed that Michael Giacchino would return to compose the score.[31] Giacchino began work around May 2017.[32] The soundtrack album was released on June 15, 2018. In addition to the film's score, it includes the vocalized theme songs for Mr. Incredible, Frozone, and Elastigirl heard in the credits, as well as bonus versions of the songs sung by Disney's a cappella group, DCappella, and the latter's version of the track 'The Glory Days' from the first film.[33]
All music composed by Michael Giacchino, except where noted, and additional music by Mick Giacchino.
Incredibles 2: Original Motion Picture Soundtrack | ||
---|---|---|
No. | Title | Length |
1. | 'Episode 2' | 0:50 |
2. | 'A Tony Perspective' | 2:08 |
3. | 'Consider Yourselves Undermined!' | 5:12 |
4. | 'A Matter of Perception' | 1:50 |
5. | 'Diggin' the New Digs' | 1:42 |
6. | 'This Ain't My Super-Suit?' | 0:57 |
7. | 'Elastigirl Is Back' | 1:00 |
8. | 'Train of Taut' | 3:17 |
9. | 'Rocky vs. Jack-Jack' | 1:58 |
10. | 'Ambassador Ambush' | 2:29 |
11. | 'Hero Worship' | 1:08 |
12. | 'Searching for a Screenslaver' | 4:40 |
13. | 'Super Legal Again' | 0:42 |
14. | 'Renouncing the Renunciation' | 1:38 |
15. | 'World's Worst Babysitters' | 1:33 |
16. | 'Helen of Ploy' | 0:55 |
17. | 'A Dash of Reality' | 2:03 |
18. | 'Hydrofoiled Again' | 3:51 |
19. | 'Jack Splat' | 1:30 |
20. | 'A Bridge Too Parr' | 4:17 |
21. | 'Together Forever and Deavor' | 1:45 |
22. | 'Elastigirl's Got a Plane to Catch' | 3:00 |
23. | 'Looks like I Picked the Wrong Week to Quit Oxygen' | 1:59 |
24. | 'Happily After-Deavor' | 1:15 |
25. | 'Out and a Bout' | 0:36 |
26. | 'Incredits 2' | 9:51 |
27. | 'Here Comes Elastigirl – Elastigirl's Theme' (lyrics also by Michael Giacchino) | 1:23 |
28. | 'Chill or Be Chilled – Frozone's Theme' (lyrics by Brad Bird) | 1:40 |
29. | 'Pow! Pow! Pow! – Mr. Incredible's Theme' (lyrics also by Michael Giacchino) | 1:31 |
30. | 'Devtechno!' | 1:53 |
31. | 'Chad Tonight Talk Show Theme' (written by Daniel Farid, Grace Giacchino and Michael Giacchino) | 0:05 |
32. | 'Chad Tonight Newscast Bumper' (written by Daniel Farid, Grace Giacchino and Michael Giacchino) | 0:06 |
33. | 'Here Comes Elastigirl – Elastigirl's Theme (A Cappella)' (performed by DCappella) (digital bonus track) | 1:20 |
34. | 'Chill or Be Chilled – Frozone's Theme (A Cappella)' (performed by DCappella) (digital bonus track) | 1:36 |
35. | 'Pow! Pow! Pow! – Mr. Incredible's Theme (A Cappella)' (performed by DCappella) (digital bonus track) | 1:31 |
36. | 'The Glory Days (A Cappella)' (performed by DCappella) (digital bonus track) | 1:39 |
Total length: | 74:50 |
Release[edit]
The official premiere of Incredibles 2 took place in Los Angeles on June 5, 2018.[34][35] It was theatrically released in the United States on June 15, 2018,[36] including an IMAX release as part of Disney's new distribution deal with IMAX, but only in 2D.[37] It is accompanied by Pixar's short film Bao.[38] The film's release was originally scheduled for June 21, 2019, but the date was moved forward after Pixar handed the 2019 release date over to Toy Story 4, after its production fell behind schedule.[36]
Marketing[edit]
A 53-second teaser trailer premiered on November 18, 2017 during ESPN's broadcast of College GameDay. It received 113.0 million views in its first 24 hours, becoming the most viewed trailer for an animated film up until the release of the teaser trailer for Frozen 2 in February 2019, which surpassed it with 116.4 million views in its first 24 hours. It is also the 14th most-viewed trailer overall.[39] A new sneak peek premiered during the 2018 Winter Olympics on February 14.[40] On April 13, a new trailer was released.[41] The studio spent a total of $150 million promoting the film.[42]
Merchandise[edit]
An Incredibles 2 graphic novel and comic miniseries was published by Dark Horse Comics in 2018. The graphic novel, titled Incredibles 2: Heroes at Home, was written by Liz Marsham and illustrated by Nicoletta Baldari. A comic miniseries, titled Incredibles 2: Crisis in Mid-Life! & Other Stories, was written by Christos Gage and Landry Walker, and illustrated by Gurihiru, J. Bone, Andrea Greppi and Roberta Zanotta.[43][44][45]
In May 2018, a prose novel was released entitled Incredibles 2: A Real Stretch: An Elastigirl Prequel Story, which focuses on the life of the character Elastigirl before the events of the first film.
A Lego video game adaptation of both films was released on the same day as Incredibles 2.[46]
Home media[edit]
Incredibles 2 was released on digital copy on October 23, 2018, and on 4K UHD Blu-ray, Blu-ray, and DVD on November 6, 2018.[47]
Reception[edit]
Box office[edit]
Incredibles 2 grossed $608.6 million in the United States and Canada, and $634.2 million in other territories, for a total worldwide gross of $1.243 billion.[1]
On July 1, 2018, the film passed $648 million at the worldwide box office, surpassing the $633 million the original film made in its entire theatrical run.[48] It ended its run as the ninth highest-grossing film of all-time domestically and the highest-grossing animated film domestically.[49][50] The film crossed the $1 billion mark on July 30, 2018, becoming the seventh animated film and the 36th film of all-time to reach the milestone. It was also the fifth animated Disney film, the third Pixar film, and Disney's 18th film overall to gross $1 billion worldwide, as well as the fastest animated film to gross $1 billion, doing so in 46 days, surpassing Minions (49 days).[51] On August 12, the film surpassed Toy Story 3 ($1.067 billion) to become the highest-grossing Pixar film worldwide.[52]Deadline Hollywood calculated the net profit of the film to be $447.4 million, when factoring together all expenses and revenues, making it the third most profitable release of 2018.[42]
United States and Canada[edit]
In April 2018, early box office projections had Incredibles 2 grossing $110 million in its opening weekend in the United States and Canada.[53] In May 2018, a month before the film's release, tracking revised to an opening weekend of $140 million or more.[54] A week prior to the film's opening, Fandango reported that pre-sale of tickets for the film had exceeded that of previous mid-year blockbusters Finding Dory, Wonder Woman, Spider-Man: Homecoming and Suicide Squad at the same point in their release cycles.[55] By the week of its release, opening weekend projections had reached upwards of $150 million.[56] A day before release, it became Fandango's top pre-selling animated film of all-time, outselling the previous record-holder, Finding Dory.[57]
The film grossed $18.5 million from Thursday night previews, increasing weekend projections to as high as $174 million. The previews set the record for an animated film, doubling Finding Dory's $9.2 million, and were higher than the likes of fellow superhero films Spider-Man: Homecoming, Thor: Ragnarok and Justice League. It made $71.6 million on its first day, including previews, the best-ever for an animated film (besting Dory's $54.7 million by 31%) and 14th highest all-time. It went on to debut to $182.7 million, the eighth best opening of all-time, far ahead of Finding Dory's animated record of $135.1 million and more than the entire lifetime gross of Pixar's A Bug's Life ($162.8 million), Cars 3 ($152.9 million) and The Good Dinosaur ($123.1 million).[58][59]
The film set animated records for its Monday and Tuesday grosses, making $23.9 million (beating the $23.4 million made by Shrek 2 in May 2004)[60] and $27.1 million (beating Finding Dory's $23.1 million), respectively. Its Tuesday gross also set a June record, topping Jurassic World ($24.3 million in 2015).[61] By Thursday, its seventh day of release, the film had grossed $269.4 million, topping the entire lifetime domestic gross of the original, not accounting for inflation ($261.4 million). In its second weekend the film dropped 56% to $80.9 million, finishing second behind newcomer Jurassic World: Fallen Kingdom ($148 million), marking the first time two films opened to over $100 million in back-to-back weekends.[62] It remained in second place in its third and fourth weekends, grossing $45.5 million and $29 million, respectively.[48] On July 7, its 23rd day of release, the film crossed $495 million, passing Finding Dory to become the highest-grossing animated film and Pixar's highest-grossing film of all-time domestically,[63] and the following day became the first animated film to gross over $500 million domestically.[64] On September 2, its 80th day of release, it became the first animated film to gross over $600 million domestically.[65]
Internationally[edit]
Outside North America, the film made $51.5 million from 25 countries in its opening weekend, for a global debut of $231.5 million. Mexico was the largest debut with $12.3 million, followed by Australia ($7.7 million) and Russia ($5.4 million).[66] In its second weekend of release the film made $58.6 million from 28 countries, bringing its two-week total to $134.7 million. Its largest market was China where it made $21.2 million, the best ever opening for a Pixar film in the country. It was also released in India where it made $3.3 million.[67] In the United Kingdom, the film grossed $12.6 million in its opening weekend, the second biggest opening for Pixar after Toy Story 3.[68][69] As of November 18, 2018, The biggest markets in terms of total earnings are the United Kingdom ($73.1 million), followed by China ($51.5 million), Japan ($43.9 million), France ($41.7 million), and Brazil ($37.6 million).[70]
Critical response[edit]
On review aggregator Rotten Tomatoes, the film holds an approval rating of 94% based on 350 reviews, with an average rating of 7.86/10. The website's critical consensus reads, 'Incredibles 2 reunites Pixar's family crimefighting team for a long-awaited follow-up that may not quite live up to the original, but comes close enough to earn its name.'[71] On Metacritic, which assigns a normalized rating to reviews, the film has a weighted average score of 80 out of 100, based on 51 critics, indicating 'generally favorable reviews'.[72] Audiences polled by CinemaScore gave the film a rare grade of 'A+' on an A+ to F scale, the same score as the first film, while PostTrak reported filmgoers gave it a 93% overall positive score and an 83% 'definite recommend'.[58]
Robert Abele of TheWrap praised the film, saying: 'Whatever the opposite of phoning in a sequel is, that's Brad Bird's progressive-minded, thunderously fun mix of super saves, throwback aesthetics and family comedy.'[73] A.A. Dowd, writing for The A.V. Club, felt it was 'A sparkling contraption of an animated comedy, funny and often wondrous in its midcentury-modern vision of an alternate America frozen in the amber of a bygone idealism.'[74] David Ehrlich of IndieWire gave the film a 'B+', saying: 'When the Parrs are pushed out of their comfort zone, Bird settles into his.. [after] inciting a Spielberg-level monorail chase that reaffirms Bird's lucid gift for kinetic and character-driven action filmmaking, the movie blasts off and never looks back.'[75]Stephanie Zacharek from Time considered it 'bold [and] rapturously entertaining,'[76] while David Sims at The Atlantic dubbed it 'dazzling, thought-provoking, and sometimes overwhelming in terms of plotting.'[77]
Variety's Owen Gleiberman called the film 'fun but far from incredible' and wrote 'It's true that the Toy Story films, all three of which are fantastic, did variations on the same theme of a toy's obsolescence, but as movies they kept the emotions close to the surface. In Incredibles 2, we never get that rush of feeling.'[78]Michael Phillips of the Chicago Tribune gave the film 2.5 out of 4 stars and said, 'Incredibles 2 is content to punch the clock and stick to straight, bombastic action mode. In that mode, composer Giacchino's music is the most successful element, running nimble, beautifully orchestrated variations on themes that feel familiar in the best ways while retaining their spark. The animation is bright and visually dynamic. The script, well .. if the title were Satisfactories 2, it'd be about right.'[79] Ty Burr for The Boston Globe called it a 'clattery, unfocused affair that at times is more irritating than fun.'[80]
Epilepsy issues[edit]
Many disability advocates, including the Epilepsy Foundation, have raised concerns that scenes with flashing lights, particularly the scene of Elastigirl's fight with the Screenslaver, can trigger seizures in viewers affected by photosensitive epilepsy.[81][82][83] As a result, several theaters posted warnings for audiences.[84] Disney issued a statement to USA Today stating that they appreciated the efforts the theaters had already made in making signs warning people seeing the movie. They then asked theaters to warn audiences about the scene in a memo that read, 'Incredibles 2 contains a sequence of flashing lights, which may affect customers who are susceptible to photosensitive epilepsy or other photosensitivities.'[85]
In response to this, the UK released a re-edited version[86] of the film with all affected sequences altered so that any flashing lights and strobe effects now pass the Harding test.[87]
Accolades[edit]
Award | Date of ceremony | Category | Recipient(s) | Result | Ref. |
---|---|---|---|---|---|
Academy Awards | February 24, 2019 | Best Animated Feature | Brad Bird, John Walker and Nicole Paradis Grindle | Nominated | [88] |
Alliance of Women Film Journalists | January 10, 2019 | Best Animated Feature Film | Brad Bird | Nominated | [89] |
Best Animated Female | Holly Hunteras Elastigirl | Won | |||
Annie Awards | February 2, 2019 | Annie Award for Best Animated Feature | Brad Bird, John Walker and Nicole Paradis Grindle | Nominated | [90] |
Outstanding Achievement for Animated Effects in an Animated Feature Production | Greg Gladstone, Tolga Göktekin, Jason Johnston, Eric Lacroix and Krzysztof Rost | Nominated | |||
Outstanding Achievement for Character Animation in an Animated Feature Production | Lance Fite | Nominated | |||
Outstanding Achievement for Character Design in an Animated Feature Production | Matt Notle | Nominated | |||
Annie Award for Directing in a Feature Production | Brad Bird | Nominated | |||
Annie Award for Music in a Feature Production | Michael Giacchino | Won | |||
Outstanding Achievement for Storyboarding in an Animated Feature Production | Dean Kelly | Won | |||
Bobby Alcid Rubio | Nominated | ||||
Annie Award for Voice Acting in a Feature Production | Holly Hunter | Nominated | |||
Annie Award for Writing in a Feature Production | Brad Bird | Nominated | |||
Outstanding Achievement for Editorial in an Animated Feature Production | Stephen Schaffer, Anthony J. Greenberg and Katie Schaefer Bishop | Nominated | |||
British Academy Children's Awards | November 25, 2018 | Feature Film | Brad Bird, John Walker and Nicole Paradis Grindle | Nominated | [91] |
British Academy Film Awards | February 10, 2019 | Best Animated Film | Brad Bird, John Walker and Nicole Paradis Grindle | Nominated | [92] |
Chicago Film Critics Association Awards | December 7, 2018 | Best Animated Feature | Brad Bird | Nominated | [93] |
Critics' Choice Movie Awards | January 13, 2019 | Best Animated Feature | Nominated | [94] | |
Detroit Film Critics Society | December 3, 2018 | Best Animated Film | Nominated | [95] | |
Golden Globe Awards | January 6, 2019 | Best Animated Feature Film | Nominated | [96] | |
Hollywood Music in Media Awards | November 14, 2018 | Original Score – Animated Film | Michael Giacchino | Nominated | [97] |
Humanitas Prize | February 8, 2019 | Family Feature Film | Brad Bird | Nominated | [98] |
Kids' Choice Awards | March 23, 2019 | Favorite Animated Movie | Incredibles 2 | Won | [99] |
Los Angeles Film Critics Association | December 9, 2018 | Best Animated Feature | 2nd Place | [100] | |
National Board of Review | November 27, 2018 | Best Animated Film | Brad Bird | Won | [101] |
New York Film Critics Circle Awards | November 29, 2018 | Best Animated Feature | Incredibles 2 | Nominated | [102] |
New York Film Critics Online | December 9, 2018 | Best Animated Feature | Nominated | [103] | |
Phoenix Critics Circle | December 15, 2018 | Best Animated Feature | Nominated | [104] | |
San Diego Film Critics Society | December 10, 2018 | Best Animated Feature | Nominated | [105] | |
San Francisco Film Critics Circle | December 9, 2018 | Best Animated Feature | Nominated | [106] | |
Seattle Film Critics Society | December 17, 2018 | Best Animated Feature | Brad Bird | Nominated | [107] |
St. Louis Film Critics Association | December 16, 2018 | Best Animated Feature | Incredibles 2 | Nominated | [108] |
People's Choice Awards | November 11, 2018 | Favorite Family Movie | Won | [109] | |
Movie of 2018 | Nominated | ||||
Satellite Awards | February 22, 2019 | Best Animated or Mixed Media Film | Brad Bird | Nominated | [110] |
Teen Choice Awards | August 12, 2018 | Choice Summer Movie | Incredibles 2 | Won | [111] |
Visual Effects Society Awards | February 5, 2019 | Outstanding Visual Effects in an Animated Feature | Brad Bird, John Walker, Rick Sayre, Bill Watral | Nominated | [112] |
Outstanding Animated Character in an Animated Feature | Michal Makarewicz, Ben Porter, Edgar Rodriguez, Kevin Singleton for Helen Parr | Nominated | |||
Outstanding Created Environment in an Animated Feature | Christopher M. Burrows, Philip Metschan, Michael Rutter, Joshua West for The Parr House | Nominated | |||
Outstanding Model in a Photoreal or Animated Project | Neil Blevins, Philip Metschan, Kevin Singleton for Underminer Vehicle | Nominated | |||
Outstanding Effects Simulations in an Animated Feature | Paul Kanyuk, Tiffany Erickson Klohn, Vincent Serritella, Matthew Kiyoshi Wong | Nominated | |||
Washington D.C. Area Film Critics Association Awards | December 3, 2018 | Best Animated Feature | Brad Bird | Nominated | [113] |
Best Animated Voice Performance | Holly Hunter | Nominated |
Possible sequel[edit]
Following the release of Incredibles 2, director Brad Bird acknowledged that the film's truncated production schedule resulted in many plotlines and ideas he had for the film being cut from the final version. He cited Pixar's decision in October 2016 to swap the release dates of Toy Story 4 and Incredibles 2, which meant that Bird's film lost a full year of production. Bird stated that the lingering plotlines could lead to a third installment, just as they did with the second. 'There were a lot of ideas that we had on this film that could be [used].. whether it's another Incredibles film, or something else.' Cast members including Samuel L. Jackson and Sophia Bush have expressed interest in reprising their roles. Producer John Walker would not 'rule [a third film] out'.[114]
See also[edit]
References[edit]
- ^ abc'Incredibles 2 (2018)'. Box Office Mojo. Retrieved January 14, 2019.
- ^ abTom Brueggemann (June 17, 2018). 'Pixar to the Rescue! 'Incredibles 2' Sets Records, and Revives Hope for the Summer Box Office'. IndieWire. Retrieved June 18, 2018.
- ^ abAnousha Sakoui; Leslie Patton (June 16, 2018). ''Incredibles 2' Smashes Record, a Balm for Disney After 'Solo''. Bloomberg. Retrieved June 18, 2018.
- ^ abcde'D23 Expo: Pixar and Walt Disney Animation Studios: The Upcoming Films'. July 14, 2017. Retrieved July 14, 2017.
- ^ abGoldberg, Lesley (November 17, 2016). 'Holly Hunter to Star in HBO's Alan Ball Family Drama'. The Hollywood Reporter. Retrieved November 17, 2016.
- ^ abRomano, Nick (December 16, 2016). 'Incredibles 2: Samuel L. Jackson is back to work on Frozone in new image'. Entertainment Weekly. Retrieved December 18, 2016.
- ^ abcd'Bob Odenkirk, Catherine Keener Join Voice Cast of Pixar's 'The Incredibles 2' (Exclusive)'. November 17, 2017.
- ^ abcdef'Follow this thread to meet the cast of #Incredibles2'. Twitter. January 22, 2018. Retrieved January 22, 2018.[non-primary source needed]
- ^ abcde''Incredibles 2' Reveals New Cast, Character Details'.
- ^'The Incredibles 2 Movie Storybook'. Retrieved June 8, 2018.
- ^ abc'Twitter'. Twitter. Retrieved June 10, 2018.
- ^ abcd'The Incredibles 2 Cast & Character Guide'. Screen Rant. April 13, 2018. Retrieved April 13, 2018.
- ^Hipes, Patrick (January 22, 2018). 'Sophia Bush, Jonathan Banks & Isabella Rossellini Join 'Incredibles 2''.
- ^'Singer-Songwriter Usher Will Make A Cameo Appearance As Himself In THE INCREDIBLES 2'. Toonado.com. Retrieved July 29, 2018.
- ^'Bird on Toy Story 3 and The Incredibles 2'. June 22, 2007. Retrieved June 22, 2007.
- ^'Brad Bird on 'Incredibles' Sequel: 'I Would Probably Wanna Do That' (Q&A)'. The Hollywood Reporter. May 16, 2013. Retrieved May 16, 2013.
- ^Schoellkopf, Christina (June 7, 2018). ''Incredibles 2' team on the sequel's 14-year gap, and putting Elastigirl center stage'. Los Angeles Times. Retrieved June 8, 2018.
- ^Graser, Marc (March 18, 2014). 'Disney Plans Third 'Cars,' 'The Incredibles 2''. Variety. Retrieved March 18, 2014.
- ^'Pixar's Brad Bird Talks French Food, Animated Rats And New Film 'Tomorrowland''. NPR. April 8, 2015. Retrieved April 12, 2015.
- ^Chitwood, Adam (May 9, 2015). 'The Incredibles 2 Is Brad Bird's Next Movie; Talks Star Wars Franchise'. Collider. Retrieved May 10, 2015.
- ^Rougeau, Michael (April 16, 2018). 'In A Post-Avengers World, Making Incredibles 2 Was A Challenge'. GameSpot. Retrieved April 16, 2018.
- ^Eisenberg, Eric (May 11, 2015). 'Why The Incredibles 2 Won't Comment On Modern Superhero Movies'. Cinema Blend. Retrieved May 12, 2015.
- ^'Unused ideas from The Incredibles will finally find a home in its sequel'.
- ^'The Incredibles 2 will include ideas that 'didn't fit' into the first film'.
- ^ abAlexander, Julia (July 14, 2017). 'The Incredibles 2 will focus on Elastigirl, include some noticeable upgrades'. Polygon.
- ^Rougeau, Michael (April 16, 2018). 'Why Incredibles 2 Starts Exactly Where The Original Ended'. GameSpot. Retrieved April 16, 2018.
- ^Sarkar, Samit (July 14, 2017). 'The Incredibles 2 picks up right where the original left off'. Polygon. Retrieved March 24, 2018.
- ^Failes, Ian (June 25, 2018). 'Producers and Animator Face Fresh Challenges on INCREDIBLES 2'. VFX Voice. Retrieved June 25, 2018.
- ^Desowitz, Bill (June 20, 2018). ''Incredibles 2': Pixar Improved its Toolbox to Meet the Superhero Demands of Brad Bird's Sequel'. Indiewire.com. Retrieved July 29, 2018.
- ^Tenreyro, Tatiana. ''Incredibles 2' Has A Touching Dedication To A Pixar Animating Legend'. Bustle. Retrieved June 15, 2018.
- ^'Incredibles 2: Brad Bird Confirms Michael Giacchino Back As Composer'. ComicBook.com. October 29, 2015.
- ^'Michael Giacchino Begins Work on Incredibles 2 Score'. May 5, 2017.
- ^'Incredibles 2 (Original Motion Picture Soundtrack)'. iTunes Store. Retrieved June 16, 2018.
- ^'Incredibles 2 Premiere, LA'. Average Socialite. June 1, 2018.
- ^'Incredibles 2 Premiere Avoids Talk of John Lasseter'. The Hollywood Reporter. June 5, 2018.
- ^ abMcClintock, Pamela (October 26, 2016). ''The Incredibles 2' Moves Up to Summer 2018; 'Toy Story 4' Pushed to 2019'. The Hollywood Reporter. Retrieved October 26, 2016.
- ^Vlessing, Etan (February 22, 2017). 'Disney Renews Film Slate Deal With Imax Through 2019'. The Hollywood Reporter. Retrieved February 23, 2017.
- ^'Bao is Pixar's first film by an Asian woman'. BBC. April 13, 2018.
- ^'Incredibles 2 is the most-viewed animated movie trailer ever'. Entertainment Weekly. November 20, 2017. Retrieved November 22, 2017.
- ^'Special Look at 'Incredibles 2' Coming February 14 During the Winter Olympics'. Pixar Post. February 8, 2018. Retrieved February 8, 2018.
- ^''Incredibles 2' exclusive: Meet the siblings who want to legalize superheroes'. Entertainment Weekly. Retrieved May 13, 2018.
- ^ abD'Alessandro, Anthony (April 2, 2019). ''Incredibles 2' Soars: No. 3 In 2018 Most Valuable Blockbuster Tournament'. Deadline Hollywood. Retrieved April 2, 2019.
- ^Holub, Christian (March 19, 2018). 'Dark Horse announces Incredibles 2 tie-in comics'. Entertainment Weekly. Retrieved May 11, 2018.
- ^Holmes, Adam (March 2018). 'An Incredibles 2 Graphic Novel And A Comics Miniseries Are Coming Later This Year'. Cinema Blend. Retrieved May 22, 2018.
- ^Gilyadov, Alex (March 19, 2018). 'Incredibles 2 Tie-in Comic Explores the Parr Family's Domestic Life'. IGN. Ziff Davis, LLC. Retrieved May 22, 2018.
- ^Dornbush, Jonathon (March 28, 2018). 'Lego the Incredibles Announced, First Gameplay Details Revealed'. IGN. Ziff Davis, LLC. Retrieved March 28, 2018.
- ^''Incredibles 2' Home Release Date Revealed'. August 25, 2018. Retrieved August 25, 2018.
- ^ abD'Alessandro, Anthony (July 1, 2018). 'At $2.5B To Date, Summer's B.O. Is More Colossal Than Ever Imagined; Dinos Still Rule With $60M+ Second Weekend'. Deadline Hollywood. Penske Business Media. Retrieved July 1, 2018.
- ^'All Time Domestic Box Office'. Box Office Mojo. Retrieved August 5, 2018.
- ^'Animation Movies at the Box Office'. Box Office Mojo. Retrieved August 5, 2018.
- ^Tartaglione, Nancy (July 31, 2018). ''Incredibles 2' Powers Past $1 Billion At Worldwide Box Office'. Deadline Hollywood. Penske Business Media. Retrieved July 31, 2018.
- ^'Pixar movies on box office'. Box Office Mojo. August 12, 2018. Retrieved August 13, 2018.
- ^Robbins, Shawn (April 20, 2018). 'Long Range Tracking: 'The Incredibles 2''. BoxOffice. Retrieved April 21, 2018.
- ^McNary, Dave (May 24, 2018). 'Box Office: 'Incredibles 2' Tracking for Supercharged $140 Million Opening'. Variety. Retrieved May 25, 2018.
- ^McNary, Dave (June 7, 2018). ''Incredibles 2' Outpaces 'Finding Dory' as Fandango's Top Animated Pre-Seller'. Variety. Retrieved June 7, 2018.
- ^D'Alessandro, Anthony (June 12, 2018). ''Incredibles 2' Poised To Squash 'Dory's $135M All-Time Opening Record For Animated Pic'. Deadline Hollywood. Penske Business Media. Retrieved June 12, 2018.
- ^D'Alessandro, Anthony (June 14, 2018). ''Incredibles 2' Gobbles 'Dory' To Become Fandango's Top Animated Pic Advance Ticket Seller'. Deadline Hollywood. Penske Business Media. Retrieved June 14, 2018.
- ^ abD'Alessandro, Anthony (June 18, 2018). ''Incredibles 2' Record $183M Beats 'Captain America: Civil War' Opening & Lifetime Totals Of 'Cars 3', 'A Bug's Life''. Deadline Hollywood. Penske Business Media. Retrieved June 18, 2018.
- ^'Box Office Top 20: 'Incredibes 2' record inches higher'. The Washington Post. Associated Press. June 18, 2018. Retrieved June 21, 2018.
- ^D'Alessandro, Anthony (June 19, 2018). ''Incredibles 2's $23.9M Monday Is Best Ever For An Animated Movie'. Deadline Hollywood. Penske Business Media. Retrieved June 19, 2018.
- ^D'Alessandro, Anthony (June 20, 2018). ''Incredibles 2' Flies To Best Tuesday In June With Near $27M'. Deadline Hollywood. Penske Business Media. Retrieved June 20, 2018.
- ^D'Alessandro, Anthony (June 24, 2018). ''Jurassic World: Fallen Kingdom' With $150M Reps Uni's 2nd Highest Opening Ever – Sunday'. Deadline Hollywood. Retrieved June 24, 2018.
- ^D'Alessandro, Anthony (July 8, 2018). ''Ant-Man And The Wasp' Shrinks A Tick To $76M+ Opening, But Still 34% Bigger Than Original – Early Sunday Read'. Deadline Hollywood. Penske Business Media. Retrieved July 8, 2018.
- ^D'Alessandro, Anthony (July 11, 2018). ''Hotel Transylvania 3' & Dwayne Johnson's 'Skyscraper' Vie For Prime Box Office Real Estate'. Deadline Hollywood. Penske Business Media. Retrieved July 14, 2018.
- ^'Incredibles 2 is First Animated Film to Pass $600 Million Domestically'. ScreenRant. September 2, 2018.
- ^Tartaglione, Nancy (June 17, 2018). ''Jurassic World: Fallen Kingdom' Rises To $370M Overseas; 'Incredibles 2' Powers $52M Early Bow – International Box Office'. Deadline Hollywood. Penske Business Media. Retrieved June 17, 2018.
- ^Tartaglione, Nancy (June 24, 2018). ''Jurassic World: Fallen Kingdom' Slurps $711M+ WW; 'Incredibles 2' Has Record Pixar China Bow – International Box Office'. Deadline Hollywood. Penske Business Media. Retrieved June 25, 2018.
- ^Gant, Charles (July 17, 2018). 'Incredibles 2's superheroes save the box office as World Cup slump ends'. The Guardian. Retrieved July 18, 2018.
- ^'Incredibles 2 (2018) – International Box Office Results – Box Office Mojo'. Boxofficemojo.com. Retrieved July 18, 2018.
- ^Tartaglione, Nancy (August 5, 2018). 'Cruise Control: 'Mission: Impossible – Fallout' Revs To $330M WW – International Box Office'. Deadline Hollywood. Penske Business Media. Retrieved August 5, 2018.
- ^'Incredibles 2 (2018)'. Rotten Tomatoes. Fandango. Retrieved June 23, 2019.
- ^'Incredibles 2 Reviews'. Metacritic. Retrieved June 25, 2018.
- ^Abele, Robert (June 11, 2018). ''Incredibles 2' Film Review: Pixar's Superhero Family Is Back, Baby – and What a Baby'. TheWrap. Retrieved June 11, 2018.
- ^Dowd, A.A. (June 12, 2018). 'Brad Bird triumphantly returns to animation, Pixar, and awe-inspiring spectacle with Incredibles 2'. The A.V. Club. The Onion. Retrieved June 17, 2018.
- ^Ehrlich, David (June 11, 2018). ''Incredibles 2' Review: Pixar's Dazzling Sequel Makes Superhero Movies Feel Human Again'. IndieWire. Penske Business Media. Retrieved June 13, 2018.
- ^Zacharek, Stephanie (June 14, 2018). 'How Incredibles 2 Shows What It Means to Be Human'. Time. Retrieved June 17, 2018.
- ^Sims, David (June 13, 2018). 'Incredibles 2 Is a Masterful Action Movie'. The Atlantic. The Atlantic Monthly Group. Retrieved June 17, 2018.
- ^Gleiberman, Owen (June 11, 2018). 'Film Review: 'Incredibles 2''. Variety. Penske Business Media. Retrieved June 11, 2018.
- ^Phillips, Michael (June 11, 2018). ''Incredibles 2' review: Piling on the action in a 14-years-later sequel'. Chicago Tribune. Retrieved June 11, 2018.
- ^Burr, Ty (June 13, 2018). 'Everyone's favorite superhero family returns in 'Incredibles 2''. Boston Globe. Boston Globe Media Partners. Retrieved June 17, 2018.
- ^'Incredibles 2 posts flashing-lights warning for fans with epilepsy'. CNET. June 18, 2018. Retrieved June 20, 2018.
- ^''Incredibles 2' Moviegoers Warned About Possible Seizures'. The New York Times. Retrieved June 20, 2018.
- ^'Epilepsy Foundation Advises Viewer Caution Related to 'Incredibles 2''. Epilepsy Foundation. Retrieved June 20, 2018.
- ^CNN, Jacqueline Howard. ''Incredibles 2': Theaters post warnings due to seizure concerns'. CNN. Retrieved June 20, 2018.
- ^'Disney issues seizure warning about 'Incredibles 2' for fans with epilepsy'. USA Today. Retrieved June 20, 2018.
- ^'INCREDIBLES 2 – British Board of Film Classification'. bbfc.co.uk. Retrieved July 29, 2018.
- ^'Veronica Lewis (currently at AER) on Twitter'. Twitter. Retrieved July 29, 2018.[non-primary source needed]
- ^'Oscar Nominations 2019: The Complete List'. Variety. January 22, 2019. Retrieved January 22, 2019.
- ^'2018 EDA Award Nominees - Alliance of Women Film Journalists'. Retrieved December 21, 2018.
- ^ (Press release). Annie Awards. December 3, 2018 https://annieawards.org/nominees. Retrieved December 3, 2018.Missing or empty
title=
(help) - ^'Children's in 2018'. British Academy of Film and Television Arts. October 24, 2018.
- ^'BAFTA Awards: 'Early Man' Snubbed, 'Spider-Verse' Grabs Nomination'. Cartoon Brew. January 9, 2019.
- ^ (Press release). Chicago Film Critics Association Awards. December 7, 2018 https://chicagofilmcritics.org/blog/2018/12/7/roma-the-favourite-and-a-star-is-born-lead-2018-cfca-nominations. Retrieved December 7, 2018.Missing or empty
title=
(help) - ^Xu, Linda (December 10, 2018). 'Critics' Choice Awards 2019: The Complete List of Nominations'. Retrieved December 10, 2018.
- ^'Detroit critics name 'Eighth Grade' year's best film'. December 3, 2018. Retrieved December 4, 2018.
- ^Xu, Linda (December 6, 2018). 'Golden Globe Nominations: Complete List'. Retrieved December 6, 2018.
- ^Yang, Rachel (October 16, 2018). ''Black Panther,' 'A Star Is Born' Lead 2018 Hollywood Music in Media Awards Nominees'. Variety. Retrieved October 16, 2018.
- ^Hipes, Patrick (November 27, 2018). 'Humanitas Prize: 'Black Panther', 'This Is Us' Among Nominations'. Deadline Hollywood. Retrieved November 27, 2018.
- ^Bennett, Anita (March 23, 2019). 'Kids' Choice Awards 2019 – Complete Winners List'. Deadline Hollywood. Retrieved March 24, 2019.
- ^'Los Angeles Online Film Critics Society Award Winners Announced! – LA Online Film Critics Society'. Retrieved December 8, 2018.
- ^Yang, Rachel (October 16, 2018). '2018 Award Winners'. Variety. Retrieved November 27, 2018.
- ^Sharf, Zach (November 29, 2018). 'NYFCC 2018 Winners: 'Roma' Dominates With Wins for Best Picture, Director, and More'. IndieWire. Archived from the original on November 30, 2018. Retrieved November 30, 2018.
- ^ (Press release). Deadline Hollywood. December 9, 2018 https://deadline.com/2018/12/new-york-film-critics-awards-roma-alfonso-cuaron-ethan-hawke-melissa-mccarthy-1202516856/. Retrieved December 9, 2018.Missing or empty
title=
(help) - ^Xu, Linda (December 13, 2018). '2018 Nominees'. Retrieved December 13, 2018.
- ^'The 2018 San Diego Film Critics Society (SDFCS) Nominations' (Press release). Next Best Picture. December 10, 2018. Retrieved December 9, 2018.
- ^ (Press release). San Francisco Film Critics Circle. December 10, 2018 http://sffcc.org/. Retrieved December 9, 2018.Missing or empty
title=
(help) - ^ (Press release). Seattle Film Critics Society. December 11, 2018 http://seattlefilmcritics.com/2018/12/10/the-favourite-leads-the-2018-seattle-film-critics-society-nominations/. Retrieved December 10, 2018.Missing or empty
title=
(help) - ^ (Press release). St. Louis Film Critics Association. December 10, 2018 http://www.stlfilmcritics.org/awards/. Retrieved December 10, 2018.Missing or empty
title=
(help) - ^'44th People's Choice Awards Nominees'.
- ^'2018 Nominees'. November 28, 2018. Archived from the original on November 29, 2018. Retrieved November 29, 2018.
- ^'Teen Choice Awards: Winners List'. The Hollywood Reporter. August 12, 2018. Archived from the original on August 13, 2018. Retrieved August 12, 2018.
- ^Tapley, Kristopher; Tapley, Kristopher (January 15, 2019). ''Avengers,' 'Lost in Space,' 'Ready Player One' Lead Visual Effects Society Nominations'.
- ^''Roma' Feels the Love with D.C. Film Critics'. December 3, 2018. Retrieved December 4, 2018.
- ^Snetiker, Marc (June 17, 2018). 'Could there be an Incredibles 3? Director Brad Bird weighs in'. Entertainment Weekly.
External links[edit]
Wikiquote has quotations related to: Incredibles 2 |
- Incredibles 2 on IMDb
- Incredibles 2 at AllMovie
Directed by
Brad Bird | .. | (directed by) |
Writing Credits
Brad Bird | .. | (written by) |
Cast (in credits order) verified as complete
Craig T. Nelson | .. | Bob Parr / Mr. Incredible (voice) | |
Holly Hunter | .. | Helen Parr / Elastigirl (voice) | |
Sarah Vowell | .. | Violet Parr (voice) | |
Huck Milner | .. | Dashiell Parr (Dash) (voice) (as Huckleberry Milner) | |
Catherine Keener | .. | Evelyn Deavor (voice) | |
Eli Fucile | .. | Jack-Jack Parr (voice) | |
Bob Odenkirk | .. | Winston Deavor (voice) | |
Samuel L. Jackson | .. | Lucius Best / Frozone (voice) | |
Michael Bird | .. | Tony Rydinger (voice) | |
Sophia Bush | .. | Voyd (voice) | |
Brad Bird | .. | Edna Mode (E) (voice) | |
Phil LaMarr | .. | Krushauer / Helectrix (voice) | |
Isabella Rossellini | .. | Ambassador (voice) | |
Adam Gates | .. | Chad Brentley (voice) | |
Jonathan Banks | .. | Rick Dicker (voice) | |
John Ratzenberger | .. | Underminer (voice) | |
Bill Wise | .. | Screenslaver / Pizza Guy (voice) | |
Nicholas Bird | .. | Monster Jack-Jack Parr (voice) (as Nick Bird) | |
Paul Eiding | .. | Reflux (voice) | |
Barry Bostwick | .. | Mayor (voice) | |
Michael B. Johnson | .. | Victor Cachet (voice) | |
Jere Burns | .. | Detective (voice) | |
Adam Rodriguez | .. | Detective (voice) | |
Kimberly Adair Clark | .. | Honey (voice) | |
Rest of cast listed alphabetically: | |||
Robert Clotworthy | .. | Tommy (uncredited) | |
Zoran Cubrilo | .. | Gradonacelnik (Mayor) (uncredited) | |
Branko Djuric | .. | Lucius Best / Frizer (uncredited) | |
Bojana Gregoric | .. | Helena Parr / Elastika (uncredited) | |
Biserka Ipsa | .. | Edna (uncredited) | |
Ksenija Marinkovic | .. | Veleposlanica (Ambassador) (uncredited) | |
Sinisa Popovic | .. | Bob Parr / Mr. Izbavitelj (uncredited) | |
Robert Santek | .. | Cantek (Chad Brentley) (uncredited) | |
Filip Sovagovic | .. | Potkopavatelj (Underminer) (uncredited) | |
Ranko Tihomirovic | .. | Reflux (uncredited) | |
Enes Vejzovic | .. | Krsilom (Krushauer) (uncredited) | |
Ronald Zlabur | .. | Heletrix (uncredited) |
Produced by
John Lasseter | .. | executive producer |
Nicole Paradis Grindle | .. | producer (produced by) (p.g.a.) |
John Walker | .. | producer (produced by) (p.g.a.) |
Music by
Michael Giacchino | .. | (music by) |
Cinematography by
Mahyar Abousaeedi | .. | director of photography: camera |
Erik Smitt | .. | director of photography: lighting |
Film Editing by
Stephen Schaffer | .. | film editor |
Casting By
Natalie Lyon | .. | (casting by) |
Kevin Reher | .. | (casting by) |
Production Design by
Ralph Eggleston |
Art Direction by
Josh Holtsclaw |
Production Management
Hannah Ghioni | .. | animation department manager |
Richmond Horine | .. | manager: crowds & simulation |
Sabine O'Sullivan | .. | production manager (as Sabine Koch O'Sullivan) |
Jessie Thiele Schroeder | .. | post-production supervisor |
Jeremy Slome | .. | associate post-production supervisor |
Robert Tachoires | .. | studio mastering manager |
Michael Warch | .. | shot production manager |
Art Department
Paul Abadilla | .. | set designer |
Anthony Christov | .. | environment art director |
Melody Cisinski | .. | storyboard artist |
Isabel Conde | .. | art manager |
Tim Evatt | .. | set designer |
Craig Foster | .. | graphic designer |
Tony Fucile | .. | additional story artist / character designer |
Bryn Imagire | .. | shading art director |
Ted Mathot | .. | story supervisor |
Philip Metschan | .. | previs lead |
Daniel Lopez Muñoz | .. | additional designer |
Teddy Newton | .. | art consultant / art: titles & end credits |
Matt Nolte | .. | character art director |
Michael Ravella | .. | set dresser |
Octavio E. Rodriguez | .. | storyboard artist |
Don Shank | .. | additional designer |
Jay Shuster | .. | vehicle designer |
Paul Topolos | .. | art department (uncredited) |
Shelly Wan | .. | shading designer |
Daniel Lopez Muñoz | .. | visual development (uncredited) |
Don Shank | .. | storyboard artist (uncredited) |
Sound Department
Rachael Bigelow | .. | additional production sound |
Steve Bissinger | .. | sound effects editor |
Jonathan Borland | .. | sound effects editor (as Jon Borland) |
Thom Brennan | .. | foley editor |
Jeanette Browning | .. | dialogue recordist (as Jeannette Browning Hernandez) |
Vince Caro | .. | original dialogue mixer / senior recording engineer |
Lisa Chino | .. | assistant supervising sound editor |
Scott Curtis | .. | foley mixer |
Teresa Eckton | .. | sound effects editor |
Coya Elliott | .. | supervising sound editor |
Frank E. Eulner | .. | sound effects editor (as Frank Eulner) |
Doc Kane | .. | original dialogue mixer |
Ren Klyce | .. | sound designer / supervising sound editor |
Josh Lowden | .. | general manager |
Adrian Maruri | .. | assistant recording engineer |
Steve Morris | .. | head of engineering |
Nathan Nance | .. | re-recording mixer |
Cheryl Nardi | .. | dialogue/adr supervisor |
Jonathan Null | .. | head of production (as Jon Null) |
Steve Orlando | .. | sound effects editor |
Kenny Pickett | .. | additional production sound |
Eva Porter | .. | client services |
Shelley Roden | .. | foley artist |
John Roesch | .. | foley artist |
Dee Selby | .. | foley editor |
Michael Semanick | .. | re-recording mixer |
Tony Sereno | .. | assistant re-recording mixer |
Cathy Shirk | .. | post production sound accountant |
Jonathon Stevens | .. | assistant sound effects editor |
John Torrijos | .. | projectionist |
Noah Dunbar | .. | adr recordist (uncredited) |
Mike Lane | .. | production service (uncredited) |
Paul McGrath | .. | original dialogue mixer (uncredited) |
Victor Mercader | .. | sound editor/recordist: trailer (uncredited) |
Michael Miller | .. | adr mixer (uncredited) / original dialogue mixer (uncredited) |
Cheryl Nardi | .. | supervising adr editor (uncredited) |
David Peifer | .. | digital editorial support (uncredited) |
Visual Effects by
Frank Aalbers | .. | simulation technical artist |
Grant Anderson | .. | set modeling intern |
Alexis Angelidis | .. | simulation technical artist |
Amit Baadkar | .. | effects td |
Trevor Barrus | .. | simulation td |
James Bartolozzi | .. | visual effects artist |
Gavin Baxter | .. | character cloth artist |
Adrian Bell | .. | renderman software developer |
Itamar Belson | .. | technical director |
Nestor Benito | .. | digital compositor |
Tim Best | .. | lighting artist |
Katie Bickley | .. | shot lighting td |
Max Bickley | .. | lighting technical director |
Chris Bolwyn | .. | visual effects artist |
Brian Boyd | .. | lighting artist |
Jacob Brooks | .. | simulation technical artist |
Christopher M. Burrows | .. | set shading lead |
Gordon D.B. Cameron | .. | simulation and crowds supervisor |
Antony Carysforth | .. | sets technical lead |
Elliott Cattell | .. | global technology engineer |
Emilee Chen | .. | crowds td intern |
Ye Won Cho | .. | master lighting technical director |
Pauline Chu | .. | optimization and rendering manager |
Tracy Lee Church | .. | sets shading artist |
Aaron Conover | .. | simulation technical artist |
Jared Counts | .. | simulation intern |
Trent Crow | .. | shading technical artist |
Jason Davies | .. | character technical director |
Jessica Psy DeLacy | .. | simulation technical artist |
Evan Denmark | .. | technical director |
Nino Ellington | .. | rendering & lighting artist |
Claire Faggioli | .. | characters manager |
Nathan Fariss | .. | sets supervisor |
Jared Fong | .. | character modeler/rigger |
Shaun Galinak | .. | visual effects artist |
Mariana Galindo | .. | tailoring artist |
Greg Gladstone | .. | effects sequence lead |
Tolga Goktekin | .. | visual effects |
Caterina Grasso | .. | set technical director |
Dorien Gunnels | .. | lighting and compositing artist |
Michael Zaiko Hall | .. | visual effects (as Michael Hall) |
Lou Hamou-Lhadj | .. | character modeling and articulation artist |
Jim Cody Harrington | .. | effects td |
Ottavio Michael Hartman | .. | global technology intern |
Uma Havaligi | .. | character cloth artist |
Chia-Chi Hu | .. | digital compositor |
Geoffrey Jarrett | .. | crowd td |
Pol Jeremias-Vila | .. | core engineering: Software Research & Development |
Andrew Jimenez | .. | digital artist |
Matt Johnson | .. | senior software engineer |
Jason Johnston | .. | visual effects |
Tobin Jones | .. | senior fx technical director |
Thidaratana Annee Jonjai | .. | sets shading td |
Ryan Kautzman | .. | Software Engineer |
Laurie Nguyen Kim | .. | simulation technical artist |
Kristifir Klein | .. | sets modeling artist |
Tiffany Erickson Klohn | .. | simulation supervisor |
Sonoko Konishi | .. | simulation technical artist |
Mitch Kopelman | .. | digital compositor |
Tanja Krampfert | .. | character modeling and articulation artist |
Jacob Kuenzel | .. | character shading artist |
Ashwin Kumar | .. | roto vfx/alien |
Aimei Kutt | .. | character cloth artist |
Eric Lacroix | .. | visual effects |
Jonah Laird | .. | crowds td |
Josée Lajoie | .. | lighting artist |
Foam Natnicha Laohachaiaroon | .. | simulation technical artist (as Natnicha Foam Laohachaiaroon) |
Maria Lee | .. | character shading |
Erin Lehmkühl | .. | stereo technical director |
Lyon Liew | .. | simulation technical artist |
Andy Lin | .. | lighting artist |
Hsiao-Hsien Lo | .. | crowds technical artist |
Richard Marrujo | .. | rendering and optimization technical director |
Daniel McCoy | .. | software development |
Salvatore Melluso | .. | character technical director |
Jessica Monteiro | .. | rendering technical director |
Thomas Moser | .. | character groom artist / simulation technical artist |
Annie Mueller | .. | Sets Manager |
David Munier | .. | software research and development |
Ricardo Nadu | .. | simulation technical artist |
Hiroaki Narita | .. | technical director effects |
Shawn Neely | .. | software research & development |
Owen Neuburger | .. | render technical director |
Paul Oakley | .. | lighting lead |
Erin Onstine | .. | stereo technical director |
Jonathan Page | .. | character modeler/rigger |
Leon JeongWook Park | .. | global technology engineer / simulation technical artist |
Darwyn Peachey | .. | global technology supervisor |
Burt Peng | .. | lighting artist |
Jonathan D. Penney | .. | rendering technical director |
Nick Pitera | .. | sets modeling artist/sets dressing artist |
Kiki Mei Kee Poh | .. | character shading and grooming technical director |
Stewart Pomeroy | .. | stereoscopic technical director |
Cliff Ramshaw | .. | renderman developer |
Farhez Rayani | .. | lighting artist: Pixar Animation Studios |
Brenton Rayner | .. | renderman development |
Clint Rea | .. | shading technical director |
Cari Reiche | .. | technical director |
Jordan Rempel | .. | lighting artist |
Kees Rijnen | .. | senior software engineer |
Edgar Rodriguez | .. | simulation artist |
Max Rodriguez | .. | simulation technical artist |
Ryan D. Romero | .. | digital artist (IMAX version) |
Krzysztof Rost | .. | visual effects |
Trina M. Roy | .. | renderman developer |
Michael Rutter | .. | sets modeling artist/sets dressing artist |
Reid Sandros | .. | optimization and rendering supervisor |
Rick Sayre | .. | supervising technical director |
Donald Schmidt | .. | motion graphics technical artist |
Martin-Sebastian Senn | .. | set extension artist (as Martin Sebastian Senn) |
Vincent Serritella | .. | effects lead |
Philip Shoebottom | .. | master lighting artist |
Kexx Singleton | .. | character modeling and articulation artist (as Kevin Singleton) |
Freddie Sulit | .. | simulation coordinator |
Bonnie Tai | .. | additional stereo artist: Stereoscopic 3D (as Bonnie Tai Shimomi) |
Lan Tang | .. | visual effects artist |
Sophie Vincelette | .. | sets modeling and dressing artist |
Christine Waggoner | .. | cloth simulation |
Bill Watral | .. | effects supervisor |
Joshua West | .. | modeling supervisor |
Andrew Wheeler | .. | visual effects artist |
Bob Whitehill | .. | stereoscopic supervisor |
Jamie Williams | .. | set shading technical director |
Bill Wise | .. | character supervisor |
Matthew Kiyoshi Wong | .. | visual effects |
Ruben Gerardo Alfaro Moreno | .. | visual effects (uncredited) |
Stunts
Download Film Incredibles 2 2018
Robert Alonzo | .. | action consultant |
Camera and Electrical Department
Mahyar Abousaeedi | .. | director of photography: camera |
Animation Department
The Incredibles 2 Download Hindi Dubbed
Frank E. Abney III | .. | animator |
Manar Al Tawam | .. | second unit, fix & crowds animation |
Dovi Anderson | .. | animator |
Kevin Andrus | .. | animator |
Matt Aspbury | .. | additional layout artist |
Andrew Atteberry | .. | second unit, fix & crowds animation |
Alan Barillaro | .. | supervising animator |
Brendan Beesley | .. | animator |
David Juan Bianchi | .. | additional layout artist |
Michael Bidinger | .. | animator |
Sequoia Blankenship | .. | animator |
Colin Bohrer | .. | character manager |
Evan Bonifacio | .. | directing animator |
Bolhem Bouchiba | .. | animation sketch artist |
James W. Brown | .. | animator |
Jude Brownbill | .. | character development and animation |
Jon Bryant | .. | Production Coordinator |
Adam Burke | .. | animator |
James Campbell | .. | layout artist |
Shaun Chacko | .. | animator |
Michael Chia-Wei Chen | .. | animator |
Simon Christen | .. | animator |
Christopher Chua | .. | animator |
Melody Cisinski | .. | story artist |
Andrew Coats | .. | animator |
Brett Coderre | .. | animator |
Don Crum | .. | animator |
Alexander Curtis | .. | layout artist |
Joshua Dai | .. | animator |
Michael Daley | .. | story artist |
Claudio de Oliveira | .. | animator |
Eric S. Degner | .. | second unit, fix & crowds animation |
Youri Dekker | .. | second unit, fix & crowds animation |
Robb Denovan | .. | additional animator |
David DeVan | .. | character development and animation |
Paul Diaz | .. | animator |
Brent Dienst | .. | second unit, fix & crowds animation |
Regina Donovan | .. | additional animator |
Emre Emin | .. | background artist |
Justin Farris | .. | animator |
Graham Finley | .. | animator |
Lance Fite | .. | animator |
Doug Frankel | .. | animator |
Tony Fucile | .. | supervising animator |
Michael Galbraith | .. | second unit, fix & crowds animation |
Jahkeeli Garnett | .. | layout artist |
Rob Gibbs | .. | second unit, fix & crowds animation |
Joey Gilbreath | .. | animator |
Andrea Goh | .. | additional layout artist |
Louis Gonzales | .. | story artist |
Andrew Gonzalez | .. | additional animator |
Andrew Gordon | .. | additional animator |
Emilie Goulet | .. | second unit, fix & crowds animation |
Sylvia Gray Wong | .. | layout lead |
Andy Grisdale | .. | layout artist |
Richard Gunzer | .. | second unit, fix & crowds animation |
Adam Habib | .. | additional layout artist |
Tomoyuki Harashima | .. | animator |
Aron Hatfield | .. | animator |
Travis Hathaway | .. | directing animator |
Ryan Heuett | .. | layout artist |
Catherine Hicks | .. | character development and animation |
Tsung-Yin Hsieh | .. | character development and animation |
Steven Clay Hunter | .. | additional character development |
Robbin Huntingdale | .. | character groom artist |
Guilherme Sauerbronn Jacinto | .. | animator |
Paul Kanyuk | .. | crowds technical supervisor |
Sandra Ford Karpman | .. | additional layout artist (as Sandra Karpman) |
Rami Kasim | .. | second unit, fix & crowds animation |
Dean Kelly | .. | story artist |
Patty Kihm | .. | additional animator |
Jae Hyung Kim | .. | animator |
Ken Kim | .. | animator |
Seong-Young Kim | .. | layout artist |
Robert Kinkead | .. | layout artist |
Aaron Koressel | .. | animation tools lead / animator |
Shawn Krause | .. | character development and animation |
Todd Krish | .. | animation shot support |
Bruce Kuei | .. | animator |
Daniel LaPook | .. | animation coordinator |
John Chun Chiu Lee | .. | animator |
Samuel Lehmer | .. | promotional animation: PIXAR STUDIO TEAM |
Holger Leihe | .. | animator |
Mike Leonard | .. | layout artist |
Jeffrey Lynch | .. | additional story artist |
Cody Lyon | .. | second unit, fix & crowds animation |
Sean Mack | .. | second unit, fix & crowds animation |
Austin Madison | .. | story artist |
Michal Makarewicz | .. | animator |
Deanna Marsigliese | .. | character & costume designer |
Alonso Martinez | .. | second unit, fix & crowds animation |
Paul Mendoza | .. | animator |
Jennifer Migita | .. | second unit, fix & crowds animation |
Cameron Miyasaki | .. | animator |
Kyle Mohr | .. | animator |
Javier Moya Alonso | .. | animator |
Dave Mullins | .. | supervising animator |
Dan Nguyen | .. | animator |
Kevin O'Brien | .. | storyboard artist |
Brian Kalin O'Connell | .. | story artist |
Kevin O'Hara | .. | animator |
Gregg Olsson | .. | layout artist |
Jordi Oñate Isal | .. | animator |
Bret 'Brook' Parker | .. | animation second unit & crowds supervisor (as Bret Parker) |
Sanjay Patel | .. | story artist |
Jan Pfenninger | .. | layout artist |
Tim Pixton | .. | character development and animation |
Bobby Podesta | .. | addtional character development |
Ben Porter | .. | character groom artist |
Bill Presing | .. | story artist |
Jayson Price | .. | animator |
Andreas Procopiou | .. | second unit, fix & crowds animation |
Theresa Reyes | .. | second unit, fix & crowds animation |
Nicole Ridgwell | .. | second unit, fix & crowds animation |
Arjun Rihan | .. | layout artist |
Adam Rodriguez | .. | animator |
Manuel Zenon Rodriguez | .. | animator |
Octavio E. Rodriguez | .. | story artist |
Jaime Landes Roe | .. | animator (as Jaime Roe) |
K.C. Roeyer | .. | animator |
Nickolas Rosario | .. | animator |
Kevin Rose-Williams | .. | promotional animation: PIXAR STUDIO TEAM |
Bobby Rubio | .. | story artist |
Montaque Ruffin | .. | animator |
Ben Rush | .. | animator |
Robert H. Russ | .. | additional character development |
Allison Rutland | .. | animator |
Max Sachar | .. | animation manager |
Alli Sadegiani | .. | animator |
Mark Sanford | .. | layout artist |
Leo Santos | .. | layout artist |
Michael Sauls | .. | animator |
Adam Schnitzer | .. | layout artist |
Brett Schulz | .. | animator |
Stefan Schumacher | .. | animator |
Domee Shi | .. | storyboard artist |
Tal Shwarzman | .. | animator |
Matthew Silas | .. | layout artist |
Peter Sohn | .. | story consultant |
Terry Song | .. | animator |
Nathan Stanton | .. | additional story artist |
Mike Stern | .. | animator |
Mike Stern | .. | animator |
Ross Stevenson | .. | additional animator (as Ross Haldane Stevenson) |
Michael Stocker | .. | animator |
Matthew Strangio | .. | animator |
Benjamin Su | .. | animator |
Rosana Sullivan | .. | story artist (as Rosanna Sullivan) |
Raphael Suter | .. | animator |
Derek Lee Thompson | .. | storyboard artist (as Derek Thompson) |
Rob Duquette Thompson | .. | character development and animation |
Rui Tong | .. | Set shading and paint |
David Torres | .. | animator |
Jessica Torres | .. | animator (as Jessica Sances) |
Jean-Claude Tran | .. | animator (as Jean-Claude Tran Quang Theiu) |
Nancy Tsang | .. | character modeling and articulation artist |
Luis Carlos Uribe | .. | second unit, fix & crowds animation |
Michael Venturini | .. | animator |
Kristoff Vergne | .. | animator (as Kristophe Vergne) |
David Verona | .. | Lightspeed TD |
Priscila Vertamatti | .. | additional animator (as Priscila De Borthole Vertamatti) |
Amanda Wagner | .. | animator |
Nathan Wall | .. | animator |
Billy Ward | .. | second unit, fix & crowds animation |
Leslie Watters | .. | animator |
Royce Wesley | .. | character development and animation |
Ricky Wight | .. | animator |
Derek Williams | .. | additional layout artist |
Alon Winterstein | .. | animator |
Anthony Ho Wong | .. | second unit, fix & crowds animation |
Stephen L. Wong | .. | additional animator (as Stephen Wong) |
Kureha Yokoo | .. | character development and animation |
Tom Zach | .. | animator |
Ron Zorman | .. | character development and animation |
Casting Department
Terri Douglas | .. | adr voice casting |
Editorial Department
Brett Blake | .. | promotional animation: assistant editor |
Susan Brunig | .. | color grading operator |
Mark Dinicola | .. | colorist |
D.R. Farquharson | .. | digital cinema producer: Deluxe Technicolor Digital Cinema |
Thomas Gonzales | .. | international editorial |
Anthony Greenberg | .. | second film editor (as Anthony J. Greenberg) |
Yu Jung Hou | .. | editorial intern |
C.J. Hsu | .. | first assistant editor |
Cris Knight | .. | media control center operator |
Michael Lucci | .. | editorial intern |
Mike H. Mahony | .. | software engineer |
Ben Morris | .. | second assistant editor |
Leslie Pao | .. | editorial manager |
Brian A. Perry | .. | international editorial |
Félix O. Santiago | .. | software engineer |
Katie Schaefer | .. | associate editor (as Katie Schaefer Bishop) |
Geoffrey Sledge | .. | second assistant editor |
Jonathan Vargo | .. | second assistant editor |
Christopher Zuber | .. | second assistant editor |
Music Department
Mark Adams | .. | musician: french horn |
Christopher Anderson-Bazzoli | .. | music preparation |
Roger Argente | .. | musician: trombone |
Andrew Bain | .. | musician: french horn |
Cedric Baravaglio | .. | trailer music |
Steve Becknell | .. | musician: french horn |
Marissa Benedict | .. | musician: trumpet |
Wayne Bergeron | .. | musician: trumpet |
Marshall Bowen | .. | conductor |
Connie Boylan | .. | assistant orchestra contractor |
Philippe Briand | .. | composer: trailer music |
Warren Brown | .. | music editor |
Ashley Chafin | .. | Manager, Music Production |
Matt Chamberlain | .. | musician |
Michael Davis | .. | musician: trombone |
Stephen M. Davis | .. | music editor |
George Doering | .. | musician |
Felix Erskine | .. | trailer music |
David Everson | .. | musician: french horn |
Katelyn Faraudo | .. | musician: french horn |
Dan Fornero | .. | musician: trumpet |
Mark Gasbarro | .. | pianist |
Mick Giacchino | .. | composer: additional music |
Gordon Goodwin | .. | orchestrator |
Alex Hamlin | .. | musician |
Tom Hardisty | .. | score mix recordist |
Dylan S. Hart | .. | musician: french horn |
Dan Higgins | .. | musician |
Scott Hosfeld | .. | musician |
Alex Iles | .. | musician: trombone |
Joel Iwataki | .. | scoring mixer |
Neil Johnson | .. | musician |
Tony Kadleck | .. | musician: trumpet |
Alan Kaplan | .. | musician: trombone |
Dan Kelley | .. | musician: french horn |
Jenny Kim | .. | musician: french horn |
Jeff Kryka | .. | orchestrator |
Steve Kujala | .. | musician |
Mark LeVang | .. | musician: hammond organ, keyboards and piano |
Jon Lewis | .. | musician: trumpet |
Greg Loskorn | .. | scoring engineer |
Sal Lozano | .. | musician |
Norman Ludwin | .. | musician: bass |
Frank Macchia | .. | music preparation |
Tom MacDougall | .. | executive music producer |
Don Markese | .. | musician |
Martin McClellan | .. | music preparation |
Serena McKinney | .. | musician: violin |
Aaron Meyer | .. | music preparation |
Joe Meyer | .. | musician: french horn |
John Mitchell | .. | musician |
Andrew Page | .. | executive director: music production |
Brian Pareschi | .. | musician: trumpet |
Cameron Patrick | .. | orchestrator |
Justin Pearson | .. | music editor: temp |
Jason Poss | .. | music transcription |
Jean-Gabriel Raynaud | .. | trailer music |
Teag Reaves | .. | musician: french horn |
Bill Reichenbach | .. | musician: trombone |
Amy Rhine | .. | musician: french horn |
Ryan Robinson | .. | score mix technical support engineer |
Gabriel Saban | .. | composer: trailer music |
Amy Sanchez | .. | musician: french horn |
Rob Schaer | .. | musician: trumpet |
Joep Sporck | .. | trailer music |
Doug Tornquist | .. | musician: tuba |
Francisco Torres | .. | musician: trombone |
Keith Ukrisna | .. | score recordist |
John Van Houten | .. | musician: tuba |
Karl Vincent | .. | musician |
Brad Warnaar | .. | musician: french horn |
Dave Washburn | .. | musician: trumpet |
Jennifer Wharton | .. | musician: trombone |
Booker White | .. | music preparation |
Reggie Wilson | .. | orchestra contractor |
John Yoakum | .. | musician |
Nicholas J. Cazares | .. | music preparation (uncredited) |
Curtis Colton Green | .. | additional orchestration (uncredited) |
Other crew
Paul Abadilla | .. | end title sequence by |
Maeve Andrews | .. | additional voices |
Mark Andrews | .. | senior leadership team: Pixar / story consultant |
Stephen Apostolina | .. | additional voices |
Michael Arndt | .. | story consultant |
Asad Ayaz | .. | executive vice president: Head of Marketing |
Kimberly Bailey | .. | additional voices |
Sola Bamis | .. | additional voices |
Megan Bartel | .. | story manager |
Andrew Beall | .. | production department head: Pixar |
Dan Berman | .. | systems engineer |
Nic Bishop | .. | systems engineer |
Steve Blum | .. | additional voices |
Kelly Bonbright | .. | additional voices / script supervisor |
Katrin Bratland | .. | RenderMan development |
Ryan Broek | .. | Production Finance Lead |
Enrico Casarosa | .. | senior leadership team: Pixar |
Ed Catmull | .. | senior leadership team: Pixar |
Leila Chesloff | .. | marketing creative services |
June Christopher | .. | additional voices |
Robert Clotworthy | .. | additional voices |
Mary Coleman | .. | senior leadership team: Pixar |
Lindsey Collins | .. | senior leadership team: Pixar |
Teresa Conaty | .. | systems support: administration and operations, Pixar studio team |
Margo Coughlin Zimmerman | .. | feature relations manager |
David Cowgill | .. | additional voices |
Jennifer Crystal Foley | .. | additional voices |
Wendy Cutler | .. | additional voices (as Wendy E. Cutler) |
Lars R. Damerow | .. | principal systems engineer |
Pamela Darrow | .. | production department head: Pixar |
Rebecca Davis | .. | additional voices |
Ronnie Del Carmen | .. | senior leadership team: Pixar |
Debi Derryberry | .. | additional voices |
Bryan Dluhy | .. | additional voices |
Terri Douglas | .. | additional voices |
Robin Atkin Downes | .. | additional voices |
Greg Dykstra | .. | additional voices |
David Eberle | .. | software engineer |
Arik Ehle | .. | marketing |
Paul Eiding | .. | additional voices |
Amy Ellenwood | .. | executive assistant to the director |
Emily Engie | .. | assistant production accountant / production coordination |
Ted Evans | .. | additional voices |
Brian Fee | .. | senior leadership team: Pixar |
Dave Fennoy | .. | additional voices |
Laura Finell | .. | production coordinator |
Julian Fong | .. | renderman development: Pixar studio team |
John Henry Frankenhauser | .. | production support engineer |
Eddie Frierson | .. | additional voices |
Sally Garbarini | .. | pixar production department head |
Briana Gardner | .. | publicist |
Grace Geller | .. | additional voices |
Jean Gilpin | .. | additional voices |
Dominic Glynn | .. | senior scientist |
Emily Goldsborough | .. | production coordinator: international |
Jackie Gonneau | .. | additional voices |
Winston O. Good | .. | software engineer |
Richie Gordon | .. | additional voices |
Marc S. Greenberg | .. | senior leadership team: Pixar |
Samantha Gurash | .. | assistant to producers |
Jonathan Hadden | .. | systems support: backups, Pixar studio team |
Chris Haynes | .. | production assistant: lighting department / production assistant: production office |
Sarah Jo Helton | .. | production department head: Pixar |
Kathryn Hendrickson | .. | story manager |
Jesse Hiram | .. | stereography operator |
Shawn Hovis | .. | systems support: unix |
Nancy Howard | .. | production department head: Pixar |
Ling Hsu | .. | systems analyst |
Karen Huie | .. | additional voices |
Justine Huxley | .. | additional voices |
Candy Ibarra | .. | additional adr voice |
Jose Ignacio | .. | systems support storage and backups |
Jacy Johnson | .. | Production Coordinator |
Amanda Deering Jones | .. | production coordinator |
Mike Jones | .. | senior leadership team: Pixar |
Jake Kaplan | .. | story production assistant |
Morgan Karadi | .. | additional executive assistant to the director |
Jim Kennedy | .. | senior leadership team: Pixar |
Chris King | .. | visual effects technical lead |
John Kirkman | .. | senior technology team: Pixar |
Andrew Kishino | .. | additional voices |
Phil LaMarr | .. | additional voices |
Jeff LaPensee | .. | additional voices |
Brian Larsen | .. | senior leadership team: Pixar |
Pat Lentz | .. | additional voices |
Marcella Lentz-Pope | .. | additional voices |
A.J. LoCascio | .. | additional voices (as AJ Locascio) |
Suz Loshin | .. | development and new media manager |
Kyle Lovrien | .. | core engineering |
Yuri Lowenthal | .. | additional voices |
Gerisa Macale | .. | production coordinator |
Angus MacLane | .. | senior leadership team: Pixar |
Austin Madison | .. | additional voices |
Alyssa Mar | .. | production coordinator |
Lourdes Marquez Alba | .. | production department head: Pixar |
Ted Mathot | .. | production artist |
Steve May | .. | senior technology team: Pixar |
Lori McAdams | .. | senior leadership team: Pixar |
Scott Menville | .. | additional voices |
Piotr Michael | .. | additional voices |
Melanie Minichino | .. | additional voices |
Matthew Minke | .. | dolly grip: promo |
Max Mittelman | .. | additional voices |
Douglas Monsalud | .. | craft services, Cafe Luxo, Pixar Studio Team |
Jim Morris | .. | senior leadership team: Pixar |
Tiajha Nakahara | .. | Pixar University: Pixar Studio Team |
Kitty Newton | .. | additional voices |
Teddy Newton | .. | additional voices |
Jonathan Nichols | .. | additional voices |
Edgar A. Ochoa | .. | logistics supervisor |
Nina Ozier | .. | additional voices / story coordinator |
Paul Pape | .. | additional voices |
Jack Paulus | .. | engineering and design lead: software research and development, Pixar studio team |
Bob Peterson | .. | senior leadership team: Pixar |
Jacqueline Pinol | .. | additional voices (as Jacqueline Piñol) |
Thomas Porter | .. | senior leadership team: Pixar |
Steve Purcell | .. | senior leadership team: Pixar |
Guido Quaroni | .. | senior technology team: Pixar |
Michael Ralph | .. | additional voices |
Kenya Randle | .. | production resource associate |
Brian Rankin | .. | safety & security |
Lee Rasé | .. | production department head: Pixar |
Usher Raymond | .. | additional voices (as Usher Raymond IV) |
Steven Ricks | .. | Media Systems Engineer |
Jonas Rivera | .. | senior leadership team: Pixar |
Gates Roberg-Clark | .. | software engineer |
Lynwood Robinson | .. | additional voices |
Kevin Rose-Williams | .. | promotional animation: Pixar studio team |
Rob Rowe | .. | special thanks |
Susanne Rublein | .. | systems assets administrator |
Aaron Russo | .. | unix systems administrator |
Samantha Jane Samuels | .. | shot production coordinator |
Katherine Sarafian | .. | senior leadership team: Pixar |
Dan Scanlon | .. | senior leadership team: Pixar |
Dennis Singletary | .. | additional voices |
Burton Siu | .. | presto animation system and core engineer: software research and development - Pixar Studio Team |
Peter Sohn | .. | senior leadership team: Pixar / story consultant |
David Sotnick | .. | systems technical lead: Pixar studio team |
Molly Speacht | .. | coordinator |
Mia Stapleton | .. | production assistant |
Alyson Stoner | .. | additional voices |
Pepper Sweeney | .. | additional voices |
Shane Sweet | .. | additional voices |
Tiffany Taira | .. | university and archives: pixar studio team |
Fred Tatasciore | .. | additional voices |
Andy Thomas | .. | systems support: storage |
Paula Tiso | .. | additional voices |
Jenni Tsoi | .. | production department head: Pixar |
Toya Turner | .. | additional voices |
Jeffrey Varga | .. | renderman development: Pixar studio team |
Jesse Weglein | .. | technical director |
David Wehr | .. | management: Software Research and Development |
Ian Westcott | .. | unix desktop support: Pixar Studio Team |
Diamond White | .. | additional voices |
Scott Whyte | .. | additional voices |
Weera Tom Wichitsripornkul | .. | shading artist |
Chris Wiggum | .. | publicist |
Christine Wilcock | .. | production resource associate |
Emily Wilson | .. | Stereo & International Coordinator |
Wally Wingert | .. | additional voices |
Matthew Wood | .. | additional voices |
Joe Zieja | .. | additional voices |
Noelle Zuber | .. | additional voices |
Carolina Ángel | .. | production coordinator |
Thanks
Darla K. Anderson | .. | special thanks |
Mark Andrews | .. | special thanks: PIXAR SENIOR CREATIVE TEAM |
Brad Bird | .. | special thanks: PIXAR SENIOR CREATIVE TEAM |
Mary Alice Drumm | .. | special thanks |
Brooke Hodge | .. | special thanks |
Robert Imbur | .. | special thanks |
Brian Larsen | .. | special thanks: PIXAR SENIOR CREATIVE TEAM |
John Lasseter | .. | special thanks: PIXAR SENIOR CREATIVE TEAM |
Meg LeFauve | .. | special thanks |
Bud Luckey | .. | in loving memory of |
Kent Melton | .. | special thanks |
Dana Murray | .. | special thanks |
Kiel Murray | .. | special thanks |
Becky Neiman | .. | special thanks (as Becky Neiman-Cobb) |
Mark Nielsen | .. | special thanks |
Bob Pauley | .. | special thanks |
Kori Rae | .. | special thanks |
Denise Ream | .. | special thanks |
Matthew Robbins | .. | special thanks |
Andrew Stanton | .. | special thanks: PIXAR SENIOR CREATIVE TEAM |
Galyn Susman | .. | special thanks |
Andrea Warren | .. | special thanks |
Kelly Younger | .. | thanks: Disney Animation Story Trust |